Book: People Love Dead Jews
Aug. 27th, 2022 02:08 pm
My rating: 4 of 5 stars
I read this book from a state of intersectionality—being both Jewish and Black. I found myself constantly questioning her choices of what to mention. When she mentioned the signs saying “No Jews or dogs”, I said “wait! Wasn’t there another group mentioned on those signs?” And yes, all the books that I’ve read on writing say that one should narrow one’s focus. Don’t bring in topics not part of your thesis but that narrowed focus left me extremely perturbed. I can give you may own aside here: I went to the internet looking for an example of the sign. And I found that the top links returned by duckduckgo claim that no such signs existed in the U.S. Do I believe this? No! Unfortunately, the internet contains a rich store of anti-semitic garbage.
My discomfort continued as she cataloged the attacks on Jews in the U.S. recently. Some of them I knew; others were new to me. She has a good point when she points out that the media blamed some of the attacks on gentrification. When other minority groups were attacked, the media does not seek to blame the people killed. (When she searched local media history, the locals were not complaining about the influx of Jewish home buyers. This blaming the victim appears to come from the national media.) I appreciated learning this. But, I also noted that in most cases, the murderers were killed by the police. Meanwhile, people who murder Blacks are taken out to dinner by the police. No—I tell myself she has to focus. The title of the book is “People Love Dead Jews”. And I can’t disagree with the following, even though I can easily change the minority group “…because when Jews get murdered or maimed, it might be an ominous sign that actual people…might later get attacked! I was done with this sort of thing, which amounted to politely persuading people of one’s right to exist.”
There is a section early in the book that I really appreciated as a writer. She describes the difference between the conventions of western literature and yiddish/Jewish literature. Jewish literature, she says, does not often have the redemptive ending that western (and Christian) literature expects. The story just ends. Even the Tevye stories which became “Fiddler on the Roof” do not have the “happy” ending that Broadway has bequeathed us. (Now I have to look them up again.) I read that, saying yes—yes. Because if you know me, you know that I hate stories using the Hero’s Journey plot. I hate pat endings.
She ends with her discovery of Daf Yomi. The joy of study. It is a poetical section which hours later I related to a favorite line from “The Once and Future King’: ″‘The best thing for being sad,’ replied Merlyn, beginning to puff and blow, ‘is to learn something. That is the only thing that never fails.’” I love her description of how the Talmud study.
I can say that I’ve learned something from this book, even if I was occasionally frustrated with her focus.
View all my reviews